Terms

Who you are dealing with

This shop is run by one person, who makes the beats himself.

Trading as

TH6

Chamber of Commerce

91772893

VAT number

NL004917983B05

E-mail

info@th6gotit.com

Mail is the way to reach me, and it is read by a person. There is no phone queue and no ticket system.

What these terms cover

Everything sold on th6gotit.com: beats, loop kits, drum kits, and custom work ordered through the services page. All of it is digital – there is nothing to ship and nothing arrives in the post.

They apply to you as a private buyer. If you are buying for a company, the same text applies, minus the parts that only exist to protect consumers: the cooling-off period in article 8 is one of those.

Prices

Prices on the site include 21% Dutch VAT. The price is the same wherever you live: if you live outside the EU, there is no VAT in it. A company in another EU country with a valid VAT number pays no Dutch VAT either; the VAT is then reverse-charged. You see the amount and the VAT on one receipt before you pay, and that amount is what gets charged. Nothing else is added. A company purchase gets an invoice.

Deals: buy 2, get 1 free (of every 3 beats in an order the cheapest is free), and 2 Unlimited Leases for € 500. Sometimes there is a sale for a set period, or you have a discount code. One deal applies per order: the one that saves you the most, applied by itself. A code works until the date it names, a one-time code works once, and a code cannot be exchanged for money.

Prices can change, but never for an order that has already been placed. If a price is obviously wrong – a beat listed at two euro instead of twenty – I may withdraw it, and you get your money back in full. That is the only case in which an order can be undone from my side.

How a purchase is made

You choose one or more beats, each with its own licence. Before you pay, you read the licence agreement for each beat and sign it, with your finger or mouse and your typed name. Then you pay, and at that moment there is an agreement. If you do not pay, your signature is deleted.

You get a confirmation by e-mail with what you bought, which licence goes with each beat and what you paid, with the licence agreement attached as a PDF, signed by you and by me.

Keep that mail. It is your proof, and it is what I use to find your order if something goes wrong.

Paying

You pay at the moment of purchase, through Mollie. There is no invoicing afterwards. For an order of € 150 or more you can also choose Klarna: you then pay Klarna, later or in three parts, under Klarna's own terms. Either way the files come as soon as the payment is confirmed.

Delivery

Straight away. After payment the download links go to the address you paid with, usually within a minute. You do not need an account.

With the Unlimited Lease you also get the stems. They come in a separate mail, within 8 hours of payment.

If the link does not work, mail me with your order number and I will send the files another way. A broken link is my problem, not yours.

What you may do with the files

That is set by the licence you chose, and the licences are written out in full on their own page. The short version: you get the right to use the beat, the copyright stays with the beat's makers, and the split is stated up front.

What you may not do, under any licence: resell the files as they are, put them in a beat pack or a sample pack, or hand them on to someone else to use. You bought the right to make something with them, not the right to sell them on.

Every lease runs up to a number of streams: 100,000 on the Basic Lease, 150,000 on the Premium Lease, and the Unlimited Lease has no cap. That number counts all streams of the release together, across every platform combined. Go past it and you move up to the next licence, paying the difference between what you paid and what that licence costs – never the full amount again. Until that is settled your release simply stays up; nothing is taken offline and no penalty applies.

The files in every lease carry a tag. Only on an exclusive licence can it be agreed that the tag comes off, and that is put in writing before delivery.

Every release credits the producers of the beat: prod. TH6, and the other producer too if the beat was made with one. At your distributor you add them in the credits with the role Producer. That is part of every lease. Only on an exclusive licence can it be agreed that the credit is dropped, and that too is put in writing before delivery.

The split is the same in every lease: you keep 90% of the master and 50% of the publishing, and the rest goes to the producers of the beat. With one producer that is TH6. If the beat was made with another producer, the two share it equally: 5% each of the master and 25% each of the publishing. You set up the splits at your distributor before the release, and you register the song with your performing rights organisation with these writers.

Within 14 days of the release you report it to me with a link, through the link in your confirmation mail or by e-mail, so I can check the credit and the splits.

If you do not keep to the credit, the splits, reporting the release or the rules above about the files, I send you a warning by e-mail. If it has not been put right 14 days after that mail, I can end the licence by mail, unless the shortcoming is too small for that, such as a report that comes late but does come. Once the licence has ended, the release has to be taken offline and I may ask the distributor and the platforms to remove it. You then only get back what is left of what you paid after the value of what you received and cannot return (the files and the use up to then) and the loss I suffer from the shortcoming. Usually nothing is left. The stream limit is the exception: for that, nothing is ever taken offline.

Buying an exclusive licence does not erase the non-exclusive licences already sold. Those keep running, and no shop can undo that.

Cancelling

Dutch law gives you fourteen days to change your mind about something bought online. Digital files are the exception, and the exception only holds if you agreed to it clearly at checkout. That is written out on its own page, because it is the term people get caught by most often.

When something is wrong

If a file is broken, incomplete, or not what the page said it was, that is on me. It gets fixed, replaced, or refunded – your choice between those, within reason.

You keep every right Dutch consumer law gives you. Nothing on this page takes those away, and any line here that tried to would simply not hold up.

What is not a fault: not liking the beat as much as you did in the preview, or a track not doing what you hoped it would do. Every beat can be played in full before you buy, which is the whole reason the player is there.

What I do not answer for

What you make with a beat, and what happens to it, is yours. If a release gets taken down, a deal falls through, or a platform makes a claim about your track, that is between you and them.

The one thing I do answer for is that I am entitled to sell the beat. Every sample used is either cleared, royalty-free, or played rather than lifted. If a claim ever lands that traces back to the beat itself, tell me and I will sort it out.

Beyond that, my liability is limited to what you paid for the beat, except for damage caused by intent or gross negligence on my side. Not because that number is generous, but because it is the honest size of this shop.

Complaints and disputes

Mail me first. Most things that look like a dispute are a broken link or a misread licence, and those are fixed the same day. I answer within seven days, and if I need longer than that to sort something out, I say so.

Dutch law applies. If you live in another country as a consumer, you also keep the protection of the mandatory rules of that country. If we truly cannot work it out, the competent court decides; as a consumer you can also go to the court where you live. You can also ask ConsuWijzer, the Dutch consumer authority's information desk, what your position is – that is free, and it is worth doing before anything else.